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Appointment Television

Appointment Television is a podcast about the TV you want to make time for. Every Thursday Margaret, Kathryn, and Andrew will revisit old shows, discover new ones, and debate everything from highbrow dramas to episodes of The Bachelor.
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Now displaying: February, 2017
Feb 23, 2017

First up, an apology: this is a recording of our recent live show at the Free Library in Philadelphia, and unfortunately the audio quality falls far short of our normal standards. We have learned a very important lesson about Having Contingency Plans and Packing Extra Equipment, and we should hopefully be able to avoid a repeat of this in the future. 

For those of you who listen, it's still a good show! We talk up beloved 90s TV dog Wishbone, and debate the merits of letting a talking dog re-enact literary classics. Then, guest judge Craig Getting joins us to help us decide which is the best book-to-TV adaptation. 

Feb 16, 2017

This week, upcoming remakes of both Will and Grace and Queen Eye For The Straight Guy show us that just because you CAN reboot something doesn't necessarily mean that you SHOULD. Then, we revisit the frigid, murderous Midwest for another installment of our TV Book Club segment on season one of FX's Fargo.

Feb 9, 2017

After mentioning HBO's The Young Pope in our episode on notable new TV for winter 2017, we return to discuss the depths and breadths of Andrew's distaste for it. Kathryn attempts to provide some cinematic context for the show; some singing is involved. We then pick up with the second installment in our Fargo book club, discussing episodes two through four. Topics include viscera, the purpose of viscera, pure evil vs pure goodness, and locusts. 

Feb 2, 2017

On this week's show we're joined by Christina Grace of the Unfriendly Black Hotties podcast (@theblackhotties on Twitter) to talk about ex-Vice President Joe Biden's odd turn on SVU earlier this season; it doesn't really make any sense but it's also a reminder of a less bleak time. We also dig way into the surprisingly effective schmaltziness of This Is Us.

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