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Appointment Television

Appointment Television is a podcast about the TV you want to make time for. Every Thursday Margaret, Kathryn, and Andrew will revisit old shows, discover new ones, and debate everything from highbrow dramas to episodes of The Bachelor.
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Now displaying: June, 2017
Jun 29, 2017

After our recording hiatus, we come back to talk about some really gross, disturbing, concerning stuff surrounding this season of Bachelor in Paradise. Heads up - this includes some descriptions of alleged sexual assault. We talk about our collective lack of surprise that this has happened and how this makes us feel about the franchise more broadly. If this discussion is not something you're comfortable listening to (trust us, we get it), please skip ahead to 21:55, where we talk about all the things we've been watching over our break.

Jun 22, 2017

For a brief maternity leave hiatus, we're doing a lightning-round TV Book Club - the first season of Australian comedy Please Like Me. In our first episode we talk about episodes one and two, and chat about coming out stories, awkwardness, the comic potential of suicide attempts, and Margaret's fear that she's actually Niamh. 

Jun 15, 2017

The first part of our conversation this week is about the shows we intend to watch during our recording hiatus, a wide-ranging list of stuff we really should have gotten to by now. Then we talk about socially conscious TV criticism, how it breaks from previous traditions of criticism, and how issues of representation and social justice affect our viewing habits.

Jun 8, 2017

Our trek through the stars comes to a conclusion this week, as we chat about the double-length time-hopping series finale of Star Trek: The Next Generation. How does series newcomer Margaret feel about this sci-fi touchstone? Does the finale help to make up for the pilot? And how would we rate every character's old age makeup? 

Jun 1, 2017

This week, we zoom and enhance on how TV uses modern tech to tell good stories (or to do the opposite, as the case may be). Why doesn’t anyone on TV lock their phone with a passcode? What does it say when a character leaves their phone’s sounds on? And are crime shows even trying to get it right?

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